ECM-M1 shotgun microphone

Model: ECM-M1
RM 1,599.00
1

1. Prices indicated refer to Suggested Retail Price and may change from time to time without prior notice.

  • Overview

    Versatile and compact, with superb sound

    The ECM-M1 uses beamforming technology and advanced digital processing technology to provide eight audio recording modes including stereo for outstanding versatility and superb sound quality in a wide range of video shooting situations.

    Eight audio recording modes in one versatile microphone

    Beamforming technology combines four discrete microphone capsules with precision algorithms, to maximise pickup sensitivity in the desired directions while reducing it in others. The result is an incredibly compact and versatile microphone with high performance even in challenging audio environments.

     Simple controls for easy setting and operation

    Simply turning a dial on the rear of the microphone allows easy, intuitive selection of pickup patterns, and a lock button in the centre prevents accidental changes. Other controls are also straightforward and easy to understand and operate.
    Product image showing view of directivity selector dial

    Outstanding audio quality

    The latest digital audio technology delivers stunning audio performance.

    Digital signal processing for quality audio

    The ECM-M1 features a complete digital pathway, from beamforming control, to noise filtering and interfacing with the camera. The result is the clearest sound possible, for everything you capture.
    Graphic illustration of digital audio waveform

    Digital noise cut filter for clear sound

    Continuous background noise is effectively suppressed by a digital noise-cut filter for clear sound recording. A low-cut filter is also provided to reduce wind noise, the hum of air conditioning, and other low-frequency vibration noise. Suppressing noise at the recording stage reduces workload during post processing, enhancing overall efficiency.
    Product image showing view of noise cut and low cut filter control switch

    Digital audio interface

    The digital audio interface offers an all-digital signal path from microphone to camera, avoiding the noise and distortion associated with analogue transmission, and retaining the full benefit of the digital signal processing in the microphone.
    Product image showing upper front left view of camera with microphone and wind screen attached, with graphic illustration of digital waveform passing from microphone to camera

    Compact size and light weight for versatility and portability

    The impressively compact size and light weight of the microphone make it incredibly versatile for a range of shooting, and a trusty addition to any gear bag.

    Compact size and light weight

    The impressively compact size (length 64.4 mm) and light weight (65 g) give a high degree of shooting freedom and mobility. The microphone does not intrude when shooting selfies, or when using even a very wide-angle lens. The compact size also makes it easy to use with gimbals and grips.
    Usage image showing microphone being carried in user’s hand

    Easy operability and connectivity

    The ECM-M1 provides controls that are easy to operate, with simple connection to compatible cameras
    Photo of microphone and windscreen

    Supplied wind screen

    The ECM-M1 is supplied with an effective fur-type wind screen, easily detachable, that can reduce wind noise when shooting outdoors.
    Photo of camera with OSD

    Omnidirectional backup safety recording on channels 3 and 4

    On compatible cameras, while channels 1 and 2 record with the selected directivity pattern, channels 3 and 4 can make omnidirectional backup safety recordings at different sensitivities (–20 dB for channel 4).
  • Features
    Super-directional

    Super-directional

    Sounds from the front are clearly captured, and ambient sounds suppressed. A great choice for shooting or streaming videos where the subject speaks directly in front of the microphone.

    Unidirectional

    Unidirectional

    Sounds from a wide region in front of the unit are captured. Uni-directional mode is a great choice for recording conferences and meetings.

    Omnidirectional

    Omnidirectional

    Sounds from all directions are captured with equal sensitivity. Omni-directional mode captures sound like a typical built-in camera mic, but with enhanced clarity and sensitivity and is recommended for recording environmental or ambient sounds.

    Super-directional (Rear)

    Super-directional (Rear)

    Sounds from the rear of the unit are captured, while suppressing sound from the front. Super-directional (Rear) mode is ideal for narrating while shooting scenery.

    Super-directional (Front + Rear)

    Super-directional (Front + Rear)

    Sounds from the front and rear of the unit are captured with equal sensitivity, while sounds from the left and right are suppressed. Super-directional mode enables recording of sounds from the subject in front of the unit as well as the voice of the videographer, and ensures clear sound when recording interviews.

    Super-directional (Front / Rear) separate

    Super-directional (Front / Rear) separate

    Sounds from the front (1ch) and rear (2ch) of the unit are captured with equal sensitivity, and onto separate audio channels, while sounds from the left and right are suppressed. Super-directional mode enables individual volume adjustment of the front and rear audio after video recording, so you can dial in the perfect balance of audio from in front and behind the camera in the edit.

    Stereo

    Stereo

    Realistic video recording is possible by clearly localising the left (1ch) and right (2ch)  sound sources. Stereo mode is perfect for shooting video of moving objects, such as racing cars and trains, or musical performances in theatres.

    Ultra-directional

    Ultra-directional

    The microphone picks up the target sound from the front (within approximately 30-degree width) while effectively suppressing the other sound, by dynamically adapting to the ambient sound in the surroundings. The Ultra-directional mode is a good choice for shooting scenes such as interviews or selfies where the subject is always in front of the microphone.

    Intuitive directivity selector dial

    Intuitive directivity selector dial

    A dial that allows easy, intuitive selection of pickup patterns is provided on the rear of the microphone. Simply align the dial pointer with the desired pickup pattern. A lock button in the centre of the dial allows the dial to be locked to prevent accidental changes.

    Direct digital audio transfer for high-quality sound

    Direct digital audio transfer for high-quality sound

    When mounted on a Multi Interface (MI) Shoe equipped with a digital audio interface, the audio signal is directly transmitted to the camera in the digital domain. No signal degradation occurs, so audio quality remains pristine.

    Internal digital noise cut filter for clear recording

    Internal digital noise cut filter for clear recording

    Distracting continuous background noise is effectively suppressed by a digital noise-cut filter for clear sound recording. A low-cut filter is also provided to reduce wind noise, the hum of air conditioning, and other low-frequency vibration. Suppressing noise at the recording stage reduces workload during post processing, enhancing overall efficiency.

    Fur-type wind screen included

    Fur-type wind screen included

    A fur-type wind screen is included. Wind noise can be reduced and sound can be captured even when shooting outdoors in windy conditions.

    Effective mechanical noise suppression

    Effective mechanical noise suppression

    The design dampens shock and vibration, for effective minimisation of low-frequency vibration noise. The cable-less design also eliminates mechanical transmission of vibration noise to the microphone via cables.

    Compact size for better portability

    Compact size for better portability

    The impressively compact size (length 64.4 mm) and light weight (65 g) give a high degree of shooting freedom and mobility. The microphone does not intrude when shooting selfies, or when using even a very wide-angle lens. The compact size also makes it easy to use with gimbals and grips.

    Battery & cable-free operation

    Battery & cable-free operation

    Multi Interface (MI) Shoe support allows battery- and cable-free shooting, allowing recording to start as soon as the microphone is attached. Power is supplied directly from the camera, so you can continue shooting without worrying about mic battery levels. And the camera’s vari-angle LCD monitor can be used in any position, unobstructed by a microphone cable.

    4-channel recording supported

    4-channel recording supported

    The ECM-M1 supports 4-channel recording on compatible cameras, with channels 3 and 4 able to make omnidirectional backup safety recordings. These channels can record safety tracks in omnidirectional mode (fixed for channel 3, and –20 dB fixed for channel 4) while the main audio is recorded to channels 1 and 2 using the selected directivity pattern.

    Audio settings

    Audio settings

    Comprehensive, clearly marked controls make it easy to adjust and confirm all microphone settings at a glance for worry-free operation.

    Dust and moisture resistant design

    Dust and moisture resistant design

    The ECM-M1 features a dust and moisture resistant design that allows reliable operation in challenging outdoor conditions.

  • Support
  • Overview
    • Overview

      Versatile and compact, with superb sound

      The ECM-M1 uses beamforming technology and advanced digital processing technology to provide eight audio recording modes including stereo for outstanding versatility and superb sound quality in a wide range of video shooting situations.

      Eight audio recording modes in one versatile microphone

      Beamforming technology combines four discrete microphone capsules with precision algorithms, to maximise pickup sensitivity in the desired directions while reducing it in others. The result is an incredibly compact and versatile microphone with high performance even in challenging audio environments.

       Simple controls for easy setting and operation

      Simply turning a dial on the rear of the microphone allows easy, intuitive selection of pickup patterns, and a lock button in the centre prevents accidental changes. Other controls are also straightforward and easy to understand and operate.
      Product image showing view of directivity selector dial

      Outstanding audio quality

      The latest digital audio technology delivers stunning audio performance.

      Digital signal processing for quality audio

      The ECM-M1 features a complete digital pathway, from beamforming control, to noise filtering and interfacing with the camera. The result is the clearest sound possible, for everything you capture.
      Graphic illustration of digital audio waveform

      Digital noise cut filter for clear sound

      Continuous background noise is effectively suppressed by a digital noise-cut filter for clear sound recording. A low-cut filter is also provided to reduce wind noise, the hum of air conditioning, and other low-frequency vibration noise. Suppressing noise at the recording stage reduces workload during post processing, enhancing overall efficiency.
      Product image showing view of noise cut and low cut filter control switch

      Digital audio interface

      The digital audio interface offers an all-digital signal path from microphone to camera, avoiding the noise and distortion associated with analogue transmission, and retaining the full benefit of the digital signal processing in the microphone.
      Product image showing upper front left view of camera with microphone and wind screen attached, with graphic illustration of digital waveform passing from microphone to camera

      Compact size and light weight for versatility and portability

      The impressively compact size and light weight of the microphone make it incredibly versatile for a range of shooting, and a trusty addition to any gear bag.

      Compact size and light weight

      The impressively compact size (length 64.4 mm) and light weight (65 g) give a high degree of shooting freedom and mobility. The microphone does not intrude when shooting selfies, or when using even a very wide-angle lens. The compact size also makes it easy to use with gimbals and grips.
      Usage image showing microphone being carried in user’s hand

      Easy operability and connectivity

      The ECM-M1 provides controls that are easy to operate, with simple connection to compatible cameras
      Photo of microphone and windscreen

      Supplied wind screen

      The ECM-M1 is supplied with an effective fur-type wind screen, easily detachable, that can reduce wind noise when shooting outdoors.
      Photo of camera with OSD

      Omnidirectional backup safety recording on channels 3 and 4

      On compatible cameras, while channels 1 and 2 record with the selected directivity pattern, channels 3 and 4 can make omnidirectional backup safety recordings at different sensitivities (–20 dB for channel 4).
  • features
    • Features
      Super-directional

      Super-directional

      Sounds from the front are clearly captured, and ambient sounds suppressed. A great choice for shooting or streaming videos where the subject speaks directly in front of the microphone.

      Unidirectional

      Unidirectional

      Sounds from a wide region in front of the unit are captured. Uni-directional mode is a great choice for recording conferences and meetings.

      Omnidirectional

      Omnidirectional

      Sounds from all directions are captured with equal sensitivity. Omni-directional mode captures sound like a typical built-in camera mic, but with enhanced clarity and sensitivity and is recommended for recording environmental or ambient sounds.

      Super-directional (Rear)

      Super-directional (Rear)

      Sounds from the rear of the unit are captured, while suppressing sound from the front. Super-directional (Rear) mode is ideal for narrating while shooting scenery.

      Super-directional (Front + Rear)

      Super-directional (Front + Rear)

      Sounds from the front and rear of the unit are captured with equal sensitivity, while sounds from the left and right are suppressed. Super-directional mode enables recording of sounds from the subject in front of the unit as well as the voice of the videographer, and ensures clear sound when recording interviews.

      Super-directional (Front / Rear) separate

      Super-directional (Front / Rear) separate

      Sounds from the front (1ch) and rear (2ch) of the unit are captured with equal sensitivity, and onto separate audio channels, while sounds from the left and right are suppressed. Super-directional mode enables individual volume adjustment of the front and rear audio after video recording, so you can dial in the perfect balance of audio from in front and behind the camera in the edit.

      Stereo

      Stereo

      Realistic video recording is possible by clearly localising the left (1ch) and right (2ch)  sound sources. Stereo mode is perfect for shooting video of moving objects, such as racing cars and trains, or musical performances in theatres.

      Ultra-directional

      Ultra-directional

      The microphone picks up the target sound from the front (within approximately 30-degree width) while effectively suppressing the other sound, by dynamically adapting to the ambient sound in the surroundings. The Ultra-directional mode is a good choice for shooting scenes such as interviews or selfies where the subject is always in front of the microphone.

      Intuitive directivity selector dial

      Intuitive directivity selector dial

      A dial that allows easy, intuitive selection of pickup patterns is provided on the rear of the microphone. Simply align the dial pointer with the desired pickup pattern. A lock button in the centre of the dial allows the dial to be locked to prevent accidental changes.

      Direct digital audio transfer for high-quality sound

      Direct digital audio transfer for high-quality sound

      When mounted on a Multi Interface (MI) Shoe equipped with a digital audio interface, the audio signal is directly transmitted to the camera in the digital domain. No signal degradation occurs, so audio quality remains pristine.

      Internal digital noise cut filter for clear recording

      Internal digital noise cut filter for clear recording

      Distracting continuous background noise is effectively suppressed by a digital noise-cut filter for clear sound recording. A low-cut filter is also provided to reduce wind noise, the hum of air conditioning, and other low-frequency vibration. Suppressing noise at the recording stage reduces workload during post processing, enhancing overall efficiency.

      Fur-type wind screen included

      Fur-type wind screen included

      A fur-type wind screen is included. Wind noise can be reduced and sound can be captured even when shooting outdoors in windy conditions.

      Effective mechanical noise suppression

      Effective mechanical noise suppression

      The design dampens shock and vibration, for effective minimisation of low-frequency vibration noise. The cable-less design also eliminates mechanical transmission of vibration noise to the microphone via cables.

      Compact size for better portability

      Compact size for better portability

      The impressively compact size (length 64.4 mm) and light weight (65 g) give a high degree of shooting freedom and mobility. The microphone does not intrude when shooting selfies, or when using even a very wide-angle lens. The compact size also makes it easy to use with gimbals and grips.

      Battery & cable-free operation

      Battery & cable-free operation

      Multi Interface (MI) Shoe support allows battery- and cable-free shooting, allowing recording to start as soon as the microphone is attached. Power is supplied directly from the camera, so you can continue shooting without worrying about mic battery levels. And the camera’s vari-angle LCD monitor can be used in any position, unobstructed by a microphone cable.

      4-channel recording supported

      4-channel recording supported

      The ECM-M1 supports 4-channel recording on compatible cameras, with channels 3 and 4 able to make omnidirectional backup safety recordings. These channels can record safety tracks in omnidirectional mode (fixed for channel 3, and –20 dB fixed for channel 4) while the main audio is recorded to channels 1 and 2 using the selected directivity pattern.

      Audio settings

      Audio settings

      Comprehensive, clearly marked controls make it easy to adjust and confirm all microphone settings at a glance for worry-free operation.

      Dust and moisture resistant design

      Dust and moisture resistant design

      The ECM-M1 features a dust and moisture resistant design that allows reliable operation in challenging outdoor conditions.

  • Support