Alpha 1 with superb resolution and speed

Model: ILCE-1
RM 27,599.00
1

1. Prices indicated refer to Suggested Retail Price and may change from time to time without prior notice.

Gifts: 80GB CFexpress Type A TOUGH Memory Card Gitzo Backpack
  • Overview

  • Features
    50.1 megapixel Exmor RS™ image sensor

    50.1 megapixel Exmor RS™ image sensor

    The α1 features a full-frame stacked back-illuminated CMOS Exmor RS™ sensor with 50.1 effective megapixels and integrated memory. In addition to delivering outstanding image quality, this allows the α1 to shoot continuously at up 30 frames per second while offering fast, precise phase-detection AF and top-quality 8K movies with full-frame 8.6K oversampling for the first time in the α series. Unprecedented performance for a new era of image making.

    Advanced BIONZ XR engine boosts speed by up to 8x

    Advanced BIONZ XR engine boosts speed by up to 8x

    The α1 features a revised system architecture with greatly enhanced processing performance from image capture through all signal processing stages. Processing latency is minimised while image processing power is dramatically increased for extraordinary image quality. User interface, network, and file management processing is distributed so that fast, stress-free control response is maintained regardless of real-time processing load.

    Continuous shooting at up to 30 fps

    Continuous shooting at up to 30 fps

    High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to approximately 165 full-frame JPEG images or 155 full-frame compressed RAW images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance. This can be a huge confidence-booster when timing is critical for sports and other moving subjects.

    Blackout-free shooting

    Blackout-free shooting

    The α1 viewfinder does not black out when an exposure is made, so you have an uninterrupted view that allows smooth, seamless framing and tracking even during continuous shooting. High readout speed from the new image sensor makes it possible to refresh the live-view EVF display 240 times per second while shooting continuous bursts, overcoming the distracting time lag that is usually associated with EVF viewing.  (A) Blackout-free Shooting  (B) Shooting with blackouts

    Silent, vibration-free electronic shutter

    Silent, vibration-free electronic shutter

    The electronic shutter operates silently, without mechanical noise that can be disruptive when shooting sports or events in a quiet environment. The electronic shutter is also vibration-free, minimising the likelihood of vibration-induced blur and further contributing to superior image quality. And since it has no moving components the electronic shutter is much more durable than any mechanical counterpart.

    Anti-flicker shooting with electronic shutter

    Anti-flicker shooting with electronic shutter

    High-speed readout from the new image sensor has made it possible to provide Anti-flicker Shooting with an electronic shutter for the first time. This enables blackout-free shooting, up to 120 AF/AE tracking calculations per second, up to 30 fps continuous shooting, silent shooting, and other advantages of the electronic shutter without flicker issues when shooting under fluorescent, LED or other flicker-prone types of artificial light.  Anti-flicker [1] ON  [2] OFF

    Electronic shutter flash sync + high-speed mechanical sync

    Electronic shutter flash sync + high-speed mechanical sync

    For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages are available at up to 1/200 sec. If you need even more speed a new mechanical shutter system allows flash sync up to 1/400 sec. (1/500 sec. APS-C), making it easier to capture dynamic action and opening the door to new creative possibilities.

    High resolution and sensitivity with 15-stop  dynamic range

    High resolution and sensitivity with 15-stop  dynamic range

    The α1 employs highly efficient noise reduction processing to deliver extraordinary resolution from its 50.1 effective megapixel image sensor. That resolution is complemented by high sensitivity with low noise, plus approximately 15 stops of dynamic range at lower sensitivities for smooth, natural gradations from shadows to highlights.

    Wide sensitivity range

    Wide sensitivity range

    Even with this sensor’s high pixel count, its back-illuminated structure, gapless on-chip lenses, AR-coated seal glass and other original imaging technologies work with the new BIONZ XR image processing engine to deliver high resolution and low noise throughout a wide sensitivity range: ISO100~32000 standard, expandable to ISO50~102400.

    Use Creative Look to create moods in camera

    Use Creative Look to create moods in camera

    A selection of new Creative Looks makes it easy to create interesting moods for stills and movies right in the camera. 10 Creative Looks are provided as presets with different combinations of colour, colour depth, brightness, contrast, sharpness, and more. The presets can be used as they are or customised by the user. Customised Creative Looks can be stored as Custom Looks for later recall and use.

    5-axis optical in-body image stabilization for a 5.5-step shutter speed advantage

    5-axis optical in-body image stabilization for a 5.5-step shutter speed advantage

    A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The α1 also features an Active Mode that offers outstanding stabilization for handheld movie shooting.  [1] Yaw  [2] Pitch  [3] Roll

    New Real-time Eye AF bird mode

    New Real-time Eye AF bird mode

    In addition to Real-time Eye AF for humans and animals, the α1 employs high-level subject recognition technology to provide Real-time Eye AF for birds. Select the bird to be tracked, and the camera will automatically detect and focus on that bird’s eye whether the bird is still or in flight. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes.

    Tenacious Real-time Tracking

    Tenacious Real-time Tracking

    The α1 includes AI-based Real-time Tracking that automatically maintains accurate focuswhile the shutter button is half-pressed. A newly developed subject recognition algorithm uses colour, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed. α1 Real-time Tracking is faster, more accurate, and more tenacious than ever before.

    759 point full-area phase detection AF

    759 point full-area phase detection AF

    759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area, ensuring accuracy and unfailing focus in scenes where focusing might otherwise be difficult. The 759-point focal plane phase-detection AF system works with a 425-point contrast AF system to ensure precise AF operation in any environment.

    Stunning realism with 8K 30p movies

    Stunning realism with 8K 30p movies

    For the first time in the α series, the α1 offers 8K 30p XAVC HS recording with 8.6K oversampling for extraordinary resolution and realism. Combined with superior α1 AF, gradation, and colour reproduction performance, 8K resolution brings the world to life. 8K footage is also ideally suited to flexible 4K editing. Low-bit-rate proxy files with HD resolution can be recorded simultaneously with 8K.

    4K movie recording at up to 120 frames per second

    4K movie recording at up to 120 frames per second

    The α1 offers in-camera 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery at 4K resolution provides new expressive capability. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

    Full pixel readout without binning for high-res 4K

    Full pixel readout without binning for high-res 4K

    Full frame and Super 35 formats can be selected for 4K movie recording. Full pixel readout in the Super 35 mode (approx. APS-C 16:9), without the need for pixel binning, makes it possible to condense approximately 2.3 times the amount of data required for 4K movies, resulting in high-resolution, high-detail 4K with minimal moiré and jaggies. Bit rates up to 600 Mbps can be used for 4K XAVC HS, XAVC S, and XAVC S-I recording.  (A) 2.3 times information

    S-Log3 and 10-bit HLG deliver extra depth

    S-Log3 and 10-bit HLG deliver extra depth

    The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match α1 footage with footage shot on the VENICE digital cinema camera, PXW-FX9, and other professional camcorders. An HLG (Hybrid Log-Gamma) picture profile is also provided, allowing direct playback on an HDR (HLG) compatible TV without the need for colour grading.

    16-bit RAW output

    16-bit RAW output

    The α1 allows 16-bit RAW output to an external recorder via HDMI for maximum post-production flexibility. Full-frame 4332 x 2448 16-bit image output easily covers 4096 x 2048 DCI-4K, with a choice of frame rates and colour spaces. It is also possible to output RAW via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available.

    Effective heat-dissipation for extended recording

    Effective heat-dissipation for extended recording

    A newly developed heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p or 4K/60p videos10-bit 4:2:0 video continuously for more than 30 minutes.

    S-Cinetone for that expressive cinematic look

    S-Cinetone for that expressive cinematic look

    The α1 includes S-Cinetone, the same colour matrix that produces the highly regarded FX9 and FX6 colour and skin tones. Based on technology acquired through development of Cinema Line cameras such as VENICE, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights. S-Cinetone responds to a growing need for more expressive depth.

    Pan shots with electronic shutter

    Pan shots with electronic shutter

    Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON when shooting at a shutter speed lower than 1/60 to insert blackout frames at an appropriate frame rate to improve display response and make it easier to follow the subject without display lag.

    Seamlessly switch full-frame and APS-C formats

    Seamlessly switch full-frame and APS-C formats

    M and S size images have the same number of pixels in the full-frame and APS-C modes, so you can switch seamlessly between full-frame [M:M21] and APS-C [M:M21], for example, while shooting the same scene. And because the full array of 759 phase detection points is available in APS-C mode as well as full-frame mode, you get the same smooth AF performance.  [1] Full Frame  [2] APS-C

    Independent still and movie settings

    Independent still and movie settings

    A subset of the camera’s shooting settings now change according to the selected shooting mode. This can be an advantage when you want to use different aperture, shutter speed, and other settings for shooting stills and movies. The available settings are: Aperture, Shutter Speed, Exposure Compensation, ISO Sensitivity, Metering Mode, White Balance, and Picture Profile.

    High-resolution viewfinder with the widest view in its class

    High-resolution viewfinder with the widest view in its class

    A 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers the highest resolution in its class. It also offers 0.90x viewfinder magnification, a 41° diagonal FOV, and a 25mm high eyepoint for clear, low-distortion viewing from corner to corner. This advanced viewfinder also features up to 240 fps refresh rate with UXGA FOV for super-smooth display.

    Built-in Wi-Fi supports 2x2 MIMO

    Built-in Wi-Fi supports 2x2 MIMO

    Built-in wireless LAN allows communication on the 2.4 GHz and 5 GHz bands, the latter with 2x2 MIMO support (IEEE 802.11a/b/g/n/ac) for industry-leading speed. Dual antennas ensure reliable communication, even with the camera’s durable magnesium alloy chassis. 5 GHz communication can be a notable advantage for news and sports shooters who need to deliver with reliable speed.

    Fast USB Type-C and 1000BASE-T network connections

    Fast USB Type-C and 1000BASE-T network connections

    A USB Type-C® connector that supports fast SuperSpeed USB 10Gbps (USB 3.2) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The α1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

    Lossless compression plus “Light” JPEG

    Lossless compression plus “Light” JPEG

    In addition to compressed and uncompressed RAW, The α1 includes efficient lossless compression with minimal quality degradation. There is also a new “Light” JPEG size setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed.

    HEIF: High compression with excellent image quality

    HEIF: High compression with excellent image quality

    In addition to a versatile range of RAW and JPEG formats, the α1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. The advanced compression technology used by the HEIF format also maintains image quality that is on a par with the best JPEGs, with approximately twice the compression.

    Comprehensive touch operation

    Comprehensive touch operation

    A revised menu structure provides easier navigation, and touch-responsive menu operation offers faster, more intuitive control. All main and function menus are touch responsive. Even more intuitive control is provided by Touch Focus and Touch Tracking. With Touch Tracking enabled, all you have to do is touch a subject on the monitor to initiate Real-time Tracking for that subject, for both stills and movies.

    Two CFexpress Type A compatible media slots

    Two CFexpress Type A compatible media slots

    The α1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. CFexpress Type A cards are ideally suited to high-speed continuous still shooting as well as high-resolution, high-bitrate movie recording. Recorded stills and movies can be saved to the memory media in numerous ways, to match a wide range of applications and needs.

  • Specifications

    Lens

    Lens Mount

    E-mount

    Image Sensor

    Aspect Ratio

    3:2

    Number Of Pixels (Effective)

    Approx. 50.1 megapixels

    Number of Pixels (total)

    Approx. 50.5 megapixels

    Sensor Type

    35mm full frame (35.9 x 24.0mm), Exmor RS CMOS sensor

    Anti-Dust System

    Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

    Recording (still images)

    Recording Format

    JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

    Image Size (pixels) [3:2]

    35mm full frame L: 8640 x 5760 (49.7M), M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M), APS-C M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M)

    IMAGE SIZE (PIXELS) [4:3] 

    35mm full frame L: 7680 x 5760 (44.2M), M: 4992 x 3744 (18.6M), S: 3840 x 2880 (11M), APS-C M: 4992 x 3744 (18.6M), S: 3840 x 2880 (11M)

    Image Size (pixels) [16:9]

    35mm full frame L: 8760 x 4864 (42M), M: 5616 x 3160 (17.7M), S: 4320 x 2432 (10.5M), APS-C M: 5616 x 3160 (17.7M), S: 4320 x 2432 (10.5M)

    IMAGE SIZE (PIXELS) [1:1] 

    35mm full frame L: 5760 x 5760 (33M), M: 3744 x 3744 (14M), S: 2880 x 2880 (8.2M), APS-C M: 3744 x 3744 (14M), S: 2880 x 2880 (8.2M)

    Image Quality Modes

    RAW (Compressed / Lossless Compressed / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 (800%), S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    Dynamic Range Functions

    Off, Dynamic Range Optimizer

    Colour Space

    sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).

    14bit RAW

    Yes

    Recording (movie)

    Recording Format

    XAVC S, XAVC HS

    Video Compression

    XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265

    Audio Recording Format

    LPCM 2ch(48kHz 16bit), LPCM 2ch(48kHz 24bit), LPCM 4ch(48kHz 24bit), MPEG-4 AAC-LC 2ch

    Colour Space

    Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 (800%), S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    MOVIE RECORDING SYSTEM (XAVC HS 8K)

    7680 x 4320 (4:2:0, 10bit, NTSC) (Approx.): 30p(400Mbps / 200 Mbps), 24p(400Mbps / 200 Mbps), 7680 x 4320 (4:2:0, 10bit, PAL) (Approx.): 25p(400Mbps / 200 Mbps)

    MOVIE RECORDING SYSTEM (XAVC HS 4K)

    3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)

    MOVIE RECORDING SYSTEM (XAVC S 4K)

    3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)

    MOVIE RECORDING SYSTEM (XAVC S HD)

    1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)

    MOVIE RECORDING SYSTEM (XAVC S-I 4K)

    3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)

    MOVIE RECORDING SYSTEM (XAVC S-I HD)

    1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)

    SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

    NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps, PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps

    Movie Functions

    Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

    Recording System

    Location information Link from smartphone

    Yes

    Media

    SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

    Memory Card Slot

    SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

    Recording mode on 2 memory cards

    Simult. Rec, Sort, Auto Switch Media, Copy

    Noise Reduction

    Noise Reduction

    Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

    White balance

    White Balance Modes

    Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

    SHUTTER AWB LOCK 

    Yes (Shut. Halfway Down / Cont. Shooting / Off)

    Focus

    Focus Type

    Fast Hybrid AF (phase-detection AF / contrast-detection AF)

    Focus Sensor

    Exmor RS CMOS sensor

    Focus Point

    35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 759 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)

    Focus Sensitivity Range

    EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)

    Focus Mode

    AF-S (Single-shot AF), AF-C ( Continuous AF), DMF (Direct Manual Focus), Manual Focus

    Focus Area

    Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking

    EYE AF

    Still images: Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, Movie: Human (Right/Left Eye Select)

    Other Features

    Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

    AF Illuminator

    Yes (with Built-in LED type)

    AF Illuminator range

    Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Focus type with LA-EA3 (Sold separately)

    Phase-detection

    Exposure

    Metering Type

    1200-zone evaluative metering

    Metering Sensor

    Exmor RS CMOS sensor

    Metering Sensitivity

    EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

    Metering Mode

    Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

    Exposure Compensation

    +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

    Exposure Bracketing

    Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

    AE Lock

    Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

    Exposure Modes

    AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

    ISO Sensitivity (Recommended Exposure Index)

    Still images: ISO 100-32000 (ISO numbers up from ISO 50 to ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-32000 equivalent, AUTO (ISO 100-12800, selectable lower limit and upper limit)

    Anti-flicker Shoot.

    Yes

    Scene Selection

    -

    Viewfinder

    Viewfinder Type

    1.6 cm (0.64 type) electronic viewfinder (color)

    Number of Dots

    9 437 184 dots

    Field Coverage

    100%

    Magnification

    Approx. 0.90 x (with 50mm lens at infinity, -1m-₁)

    Dioptre Adjustment

    -4.0 to +3.0m-₁

    Eye Point

    Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-₁ (CIPA standard)

    DISPLAY FUNCTION

    Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

    Finder Frame Rate Selection

    STD 60fps / HI 120fps / HI+ 240fps

    LCD Screen

    Monitor Type

    7.5cm (3.0-type) type TFT

    Number of Dots

    1,440,000 dots

    Touch Panel

    Yes

    Brightness Control

    Manual (5 steps between -2 and +2), Sunny Weather mode

    Adjustable Angle

    Up by Approx. 107 degrees, Down by Approx. 41 degrees

    Focus Magnifier

    Yes, Focus Magnifier (35mm full frame: 4.2x / 8.5x, APS-C: 2.7x / 5.5x)

    Other Features

    PlayMemories Camera Apps™

    -

    Clear Image Zoom

    Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

    Digital Zoom

    Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x,APS-C: M:approx. 4x, S: approx. 5.2x, Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

    Face Detection

    Face/Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

    Self-Portrait Self-timer

    -

    Others

    Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

    Shutter

    Type

    Electronically-controlled, vertical-traverse, focal-plane type

    Shutter Type

    Mechanical shutter/Electronic shutter

    Shutter Speed

    Still images, Single shot Mechanical Shutter:1/8000 to 30 sec, Bulb; AUTO: 1/32000 to 30 sec, Bulb; Electronic Shutter: 1/32000 to 30 sec; Still images, Continous shooting Mechanical; Shutter:1/8000 to 30 sec; AUTO: 1/32000 to 1/2 sec; Electronic Shutter: 1/32000 to 1/2 sec; Movies: 1/8000 to 1/4(1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

    Flash Sync. Speed

    (Mechanical shutter), (Flash Sync. Priority) is (ON) or (AUTO):1/400 sec (35mm full frame), 1/500 sec (APS-C), (Flash Sync. Priority) is (OFF):1/320 sec (35mm full frame), 1/400 sec (APS-C), (Electrical shutter), 1/200 sec (35mm full frame), 1/250 sec (APS-C)

    Electronic Front Curtain Shutter

    Yes

    Silent Shooting

    Yes (ON/OFF)

    Image Stabilization

    Type

    Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

    Compensation Effect

    5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

    Flash Control

    Type

    -

    Guide No.

    -

    Flash coverage

    -

    Control

    Pre-flash TTL

    Flash Compensation

    +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

    Flash Modes

    Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

    Recycling Time

    -

    External Flash Compatibility

    Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

    FE Level Lock

    Yes

    Wireless Control

    Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

    Drive

    Drive Modes

    Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

    Continuous Drive Speed (approx. max.)

    AUTO/Electronic Shutter: Continuous shooting: Hi+: 30 fps, Hi: 20 fps, Mid: 15fps, Lo: 5 fps, Mechanical Shutter: Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6fps, Lo: 3 fps

    No. of recordable frames (approx.)

    JPEG Extra fine L: 182 frames, JPEG Fine L: 400 frames, JPEG Standard L: 400 frames, RAW: 238 frames, RAW & JPG: 192 frames, RAW (Lossless Compression): 96 frames, RAW (Lossless Compression) & JPG: 83 frames, RAW (Uncompressed): 82 frames, RAW (Uncompressed) & JPG: 78 frames

    Self-Timer

    10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

    Pixel Shift Multi Shooting

    Yes (4 shots / 16 shots)

    Playback

    Photo Capture

    Yes

    Modes

    Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 21.6x, M: 14.0x, S: 10.8x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

    Interface

    PC Interface

    Mass-storage / MTP

    Multi / Micro USB Terminal

    Yes (SuperSpeed USB 10Gbps (USB 3.2) compatible)

    Bluetooth

    Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

    Wireless LAN (Built-In)

    Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band))

    Multi Interface Shoe

    Yes (with Digital Audio Interface)

    Mic Terminal

    Yes (3.5 mm Stereo minijack)

    Sync Terminal

    Yes

    Headphone Terminal

    Yes (3.5 mm Stereo minijack)

    Vertical Grip Connector

    Yes

    LAN Terminal

    Yes (1000BASE-T, 100BASE-TX, 10BASE-T)

    FUNCTIONS

    FTP Transfer Func.(Wired LAN, USB Tethering, Wi-Fi)., View on Smartphone,Remote control via Smartphone, NFC One-touch remote,PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD

    Audio

    Microphone

    Built-in, stereo

    Speaker

    Built-in, monaural

    Print

    Compatible Standards

    Exif Print, Print Image Matching III

    Custom function

    Type

    Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

    Lens Compensation

    Setting

    Peripheral Shading, Chromatic Aberration, Distortion

    Power

    Supplied Battery

    One rechargeable battery pack NP-FZ100

    Battery Life (Still Images)

    Approx. 430 shots (Viewfinder) / approx. 530 shots (LCD monitor) (CIPA standard)

    Battery Life (Movie, actual recording)

    Approx. 90 min. (Viewfinder) / Approx. 95 min. (LCD monitor) (CIPA standard)

    Battery Life (Movie, continuous recording)

    Approx. 145 min. (Viewfinder) / Approx. 150 min. (LCD monitor) (CIPA standard)

    Internal Battery Charge

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Power consumption with Viewfinder

    Still images: approx. 4.6W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 6.8W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Power consumption with LCD screen

    Still images: approx. 3.7W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 6.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    USB Power supply

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Others

    Operating Temperature

    32 - 104 degrees F / 0 - 40 degrees C

    Size & Weight

    Weight (with battery and memory card included)

    Approx. 737 g, approx. 1 lb 10.0 oz

    Dimensions (W x H x D)

    Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

  • Support
  • Overview
    • Overview

  • features
    • Features
      50.1 megapixel Exmor RS™ image sensor

      50.1 megapixel Exmor RS™ image sensor

      The α1 features a full-frame stacked back-illuminated CMOS Exmor RS™ sensor with 50.1 effective megapixels and integrated memory. In addition to delivering outstanding image quality, this allows the α1 to shoot continuously at up 30 frames per second while offering fast, precise phase-detection AF and top-quality 8K movies with full-frame 8.6K oversampling for the first time in the α series. Unprecedented performance for a new era of image making.

      Advanced BIONZ XR engine boosts speed by up to 8x

      Advanced BIONZ XR engine boosts speed by up to 8x

      The α1 features a revised system architecture with greatly enhanced processing performance from image capture through all signal processing stages. Processing latency is minimised while image processing power is dramatically increased for extraordinary image quality. User interface, network, and file management processing is distributed so that fast, stress-free control response is maintained regardless of real-time processing load.

      Continuous shooting at up to 30 fps

      Continuous shooting at up to 30 fps

      High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to approximately 165 full-frame JPEG images or 155 full-frame compressed RAW images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance. This can be a huge confidence-booster when timing is critical for sports and other moving subjects.

      Blackout-free shooting

      Blackout-free shooting

      The α1 viewfinder does not black out when an exposure is made, so you have an uninterrupted view that allows smooth, seamless framing and tracking even during continuous shooting. High readout speed from the new image sensor makes it possible to refresh the live-view EVF display 240 times per second while shooting continuous bursts, overcoming the distracting time lag that is usually associated with EVF viewing.  (A) Blackout-free Shooting  (B) Shooting with blackouts

      Silent, vibration-free electronic shutter

      Silent, vibration-free electronic shutter

      The electronic shutter operates silently, without mechanical noise that can be disruptive when shooting sports or events in a quiet environment. The electronic shutter is also vibration-free, minimising the likelihood of vibration-induced blur and further contributing to superior image quality. And since it has no moving components the electronic shutter is much more durable than any mechanical counterpart.

      Anti-flicker shooting with electronic shutter

      Anti-flicker shooting with electronic shutter

      High-speed readout from the new image sensor has made it possible to provide Anti-flicker Shooting with an electronic shutter for the first time. This enables blackout-free shooting, up to 120 AF/AE tracking calculations per second, up to 30 fps continuous shooting, silent shooting, and other advantages of the electronic shutter without flicker issues when shooting under fluorescent, LED or other flicker-prone types of artificial light.  Anti-flicker [1] ON  [2] OFF

      Electronic shutter flash sync + high-speed mechanical sync

      Electronic shutter flash sync + high-speed mechanical sync

      For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages are available at up to 1/200 sec. If you need even more speed a new mechanical shutter system allows flash sync up to 1/400 sec. (1/500 sec. APS-C), making it easier to capture dynamic action and opening the door to new creative possibilities.

      High resolution and sensitivity with 15-stop  dynamic range

      High resolution and sensitivity with 15-stop  dynamic range

      The α1 employs highly efficient noise reduction processing to deliver extraordinary resolution from its 50.1 effective megapixel image sensor. That resolution is complemented by high sensitivity with low noise, plus approximately 15 stops of dynamic range at lower sensitivities for smooth, natural gradations from shadows to highlights.

      Wide sensitivity range

      Wide sensitivity range

      Even with this sensor’s high pixel count, its back-illuminated structure, gapless on-chip lenses, AR-coated seal glass and other original imaging technologies work with the new BIONZ XR image processing engine to deliver high resolution and low noise throughout a wide sensitivity range: ISO100~32000 standard, expandable to ISO50~102400.

      Use Creative Look to create moods in camera

      Use Creative Look to create moods in camera

      A selection of new Creative Looks makes it easy to create interesting moods for stills and movies right in the camera. 10 Creative Looks are provided as presets with different combinations of colour, colour depth, brightness, contrast, sharpness, and more. The presets can be used as they are or customised by the user. Customised Creative Looks can be stored as Custom Looks for later recall and use.

      5-axis optical in-body image stabilization for a 5.5-step shutter speed advantage

      5-axis optical in-body image stabilization for a 5.5-step shutter speed advantage

      A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The α1 also features an Active Mode that offers outstanding stabilization for handheld movie shooting.  [1] Yaw  [2] Pitch  [3] Roll

      New Real-time Eye AF bird mode

      New Real-time Eye AF bird mode

      In addition to Real-time Eye AF for humans and animals, the α1 employs high-level subject recognition technology to provide Real-time Eye AF for birds. Select the bird to be tracked, and the camera will automatically detect and focus on that bird’s eye whether the bird is still or in flight. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes.

      Tenacious Real-time Tracking

      Tenacious Real-time Tracking

      The α1 includes AI-based Real-time Tracking that automatically maintains accurate focuswhile the shutter button is half-pressed. A newly developed subject recognition algorithm uses colour, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed. α1 Real-time Tracking is faster, more accurate, and more tenacious than ever before.

      759 point full-area phase detection AF

      759 point full-area phase detection AF

      759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area, ensuring accuracy and unfailing focus in scenes where focusing might otherwise be difficult. The 759-point focal plane phase-detection AF system works with a 425-point contrast AF system to ensure precise AF operation in any environment.

      Stunning realism with 8K 30p movies

      Stunning realism with 8K 30p movies

      For the first time in the α series, the α1 offers 8K 30p XAVC HS recording with 8.6K oversampling for extraordinary resolution and realism. Combined with superior α1 AF, gradation, and colour reproduction performance, 8K resolution brings the world to life. 8K footage is also ideally suited to flexible 4K editing. Low-bit-rate proxy files with HD resolution can be recorded simultaneously with 8K.

      4K movie recording at up to 120 frames per second

      4K movie recording at up to 120 frames per second

      The α1 offers in-camera 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery at 4K resolution provides new expressive capability. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

      Full pixel readout without binning for high-res 4K

      Full pixel readout without binning for high-res 4K

      Full frame and Super 35 formats can be selected for 4K movie recording. Full pixel readout in the Super 35 mode (approx. APS-C 16:9), without the need for pixel binning, makes it possible to condense approximately 2.3 times the amount of data required for 4K movies, resulting in high-resolution, high-detail 4K with minimal moiré and jaggies. Bit rates up to 600 Mbps can be used for 4K XAVC HS, XAVC S, and XAVC S-I recording.  (A) 2.3 times information

      S-Log3 and 10-bit HLG deliver extra depth

      S-Log3 and 10-bit HLG deliver extra depth

      The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match α1 footage with footage shot on the VENICE digital cinema camera, PXW-FX9, and other professional camcorders. An HLG (Hybrid Log-Gamma) picture profile is also provided, allowing direct playback on an HDR (HLG) compatible TV without the need for colour grading.

      16-bit RAW output

      16-bit RAW output

      The α1 allows 16-bit RAW output to an external recorder via HDMI for maximum post-production flexibility. Full-frame 4332 x 2448 16-bit image output easily covers 4096 x 2048 DCI-4K, with a choice of frame rates and colour spaces. It is also possible to output RAW via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available.

      Effective heat-dissipation for extended recording

      Effective heat-dissipation for extended recording

      A newly developed heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p or 4K/60p videos10-bit 4:2:0 video continuously for more than 30 minutes.

      S-Cinetone for that expressive cinematic look

      S-Cinetone for that expressive cinematic look

      The α1 includes S-Cinetone, the same colour matrix that produces the highly regarded FX9 and FX6 colour and skin tones. Based on technology acquired through development of Cinema Line cameras such as VENICE, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights. S-Cinetone responds to a growing need for more expressive depth.

      Pan shots with electronic shutter

      Pan shots with electronic shutter

      Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON when shooting at a shutter speed lower than 1/60 to insert blackout frames at an appropriate frame rate to improve display response and make it easier to follow the subject without display lag.

      Seamlessly switch full-frame and APS-C formats

      Seamlessly switch full-frame and APS-C formats

      M and S size images have the same number of pixels in the full-frame and APS-C modes, so you can switch seamlessly between full-frame [M:M21] and APS-C [M:M21], for example, while shooting the same scene. And because the full array of 759 phase detection points is available in APS-C mode as well as full-frame mode, you get the same smooth AF performance.  [1] Full Frame  [2] APS-C

      Independent still and movie settings

      Independent still and movie settings

      A subset of the camera’s shooting settings now change according to the selected shooting mode. This can be an advantage when you want to use different aperture, shutter speed, and other settings for shooting stills and movies. The available settings are: Aperture, Shutter Speed, Exposure Compensation, ISO Sensitivity, Metering Mode, White Balance, and Picture Profile.

      High-resolution viewfinder with the widest view in its class

      High-resolution viewfinder with the widest view in its class

      A 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers the highest resolution in its class. It also offers 0.90x viewfinder magnification, a 41° diagonal FOV, and a 25mm high eyepoint for clear, low-distortion viewing from corner to corner. This advanced viewfinder also features up to 240 fps refresh rate with UXGA FOV for super-smooth display.

      Built-in Wi-Fi supports 2x2 MIMO

      Built-in Wi-Fi supports 2x2 MIMO

      Built-in wireless LAN allows communication on the 2.4 GHz and 5 GHz bands, the latter with 2x2 MIMO support (IEEE 802.11a/b/g/n/ac) for industry-leading speed. Dual antennas ensure reliable communication, even with the camera’s durable magnesium alloy chassis. 5 GHz communication can be a notable advantage for news and sports shooters who need to deliver with reliable speed.

      Fast USB Type-C and 1000BASE-T network connections

      Fast USB Type-C and 1000BASE-T network connections

      A USB Type-C® connector that supports fast SuperSpeed USB 10Gbps (USB 3.2) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The α1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

      Lossless compression plus “Light” JPEG

      Lossless compression plus “Light” JPEG

      In addition to compressed and uncompressed RAW, The α1 includes efficient lossless compression with minimal quality degradation. There is also a new “Light” JPEG size setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed.

      HEIF: High compression with excellent image quality

      HEIF: High compression with excellent image quality

      In addition to a versatile range of RAW and JPEG formats, the α1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. The advanced compression technology used by the HEIF format also maintains image quality that is on a par with the best JPEGs, with approximately twice the compression.

      Comprehensive touch operation

      Comprehensive touch operation

      A revised menu structure provides easier navigation, and touch-responsive menu operation offers faster, more intuitive control. All main and function menus are touch responsive. Even more intuitive control is provided by Touch Focus and Touch Tracking. With Touch Tracking enabled, all you have to do is touch a subject on the monitor to initiate Real-time Tracking for that subject, for both stills and movies.

      Two CFexpress Type A compatible media slots

      Two CFexpress Type A compatible media slots

      The α1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. CFexpress Type A cards are ideally suited to high-speed continuous still shooting as well as high-resolution, high-bitrate movie recording. Recorded stills and movies can be saved to the memory media in numerous ways, to match a wide range of applications and needs.

  • specifications
    • Specifications

      Lens

      Lens Mount

      E-mount

      Image Sensor

      Aspect Ratio

      3:2

      Number Of Pixels (Effective)

      Approx. 50.1 megapixels

      Number of Pixels (total)

      Approx. 50.5 megapixels

      Sensor Type

      35mm full frame (35.9 x 24.0mm), Exmor RS CMOS sensor

      Anti-Dust System

      Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

      Recording (still images)

      Recording Format

      JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

      Image Size (pixels) [3:2]

      35mm full frame L: 8640 x 5760 (49.7M), M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M), APS-C M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M)

      IMAGE SIZE (PIXELS) [4:3] 

      35mm full frame L: 7680 x 5760 (44.2M), M: 4992 x 3744 (18.6M), S: 3840 x 2880 (11M), APS-C M: 4992 x 3744 (18.6M), S: 3840 x 2880 (11M)

      Image Size (pixels) [16:9]

      35mm full frame L: 8760 x 4864 (42M), M: 5616 x 3160 (17.7M), S: 4320 x 2432 (10.5M), APS-C M: 5616 x 3160 (17.7M), S: 4320 x 2432 (10.5M)

      IMAGE SIZE (PIXELS) [1:1] 

      35mm full frame L: 5760 x 5760 (33M), M: 3744 x 3744 (14M), S: 2880 x 2880 (8.2M), APS-C M: 3744 x 3744 (14M), S: 2880 x 2880 (8.2M)

      Image Quality Modes

      RAW (Compressed / Lossless Compressed / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 (800%), S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      Dynamic Range Functions

      Off, Dynamic Range Optimizer

      Colour Space

      sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).

      14bit RAW

      Yes

      Recording (movie)

      Recording Format

      XAVC S, XAVC HS

      Video Compression

      XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265

      Audio Recording Format

      LPCM 2ch(48kHz 16bit), LPCM 2ch(48kHz 24bit), LPCM 4ch(48kHz 24bit), MPEG-4 AAC-LC 2ch

      Colour Space

      Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 (800%), S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      MOVIE RECORDING SYSTEM (XAVC HS 8K)

      7680 x 4320 (4:2:0, 10bit, NTSC) (Approx.): 30p(400Mbps / 200 Mbps), 24p(400Mbps / 200 Mbps), 7680 x 4320 (4:2:0, 10bit, PAL) (Approx.): 25p(400Mbps / 200 Mbps)

      MOVIE RECORDING SYSTEM (XAVC HS 4K)

      3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)

      MOVIE RECORDING SYSTEM (XAVC S 4K)

      3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)

      MOVIE RECORDING SYSTEM (XAVC S HD)

      1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)

      MOVIE RECORDING SYSTEM (XAVC S-I 4K)

      3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)

      MOVIE RECORDING SYSTEM (XAVC S-I HD)

      1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)

      SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

      NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps, PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps

      Movie Functions

      Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

      Recording System

      Location information Link from smartphone

      Yes

      Media

      SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

      Memory Card Slot

      SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

      Recording mode on 2 memory cards

      Simult. Rec, Sort, Auto Switch Media, Copy

      Noise Reduction

      Noise Reduction

      Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

      White balance

      White Balance Modes

      Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

      SHUTTER AWB LOCK 

      Yes (Shut. Halfway Down / Cont. Shooting / Off)

      Focus

      Focus Type

      Fast Hybrid AF (phase-detection AF / contrast-detection AF)

      Focus Sensor

      Exmor RS CMOS sensor

      Focus Point

      35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 759 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)

      Focus Sensitivity Range

      EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)

      Focus Mode

      AF-S (Single-shot AF), AF-C ( Continuous AF), DMF (Direct Manual Focus), Manual Focus

      Focus Area

      Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking

      EYE AF

      Still images: Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, Movie: Human (Right/Left Eye Select)

      Other Features

      Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

      AF Illuminator

      Yes (with Built-in LED type)

      AF Illuminator range

      Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Focus type with LA-EA3 (Sold separately)

      Phase-detection

      Exposure

      Metering Type

      1200-zone evaluative metering

      Metering Sensor

      Exmor RS CMOS sensor

      Metering Sensitivity

      EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

      Metering Mode

      Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

      Exposure Compensation

      +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

      Exposure Bracketing

      Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

      AE Lock

      Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

      Exposure Modes

      AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

      ISO Sensitivity (Recommended Exposure Index)

      Still images: ISO 100-32000 (ISO numbers up from ISO 50 to ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-32000 equivalent, AUTO (ISO 100-12800, selectable lower limit and upper limit)

      Anti-flicker Shoot.

      Yes

      Scene Selection

      -

      Viewfinder

      Viewfinder Type

      1.6 cm (0.64 type) electronic viewfinder (color)

      Number of Dots

      9 437 184 dots

      Field Coverage

      100%

      Magnification

      Approx. 0.90 x (with 50mm lens at infinity, -1m-₁)

      Dioptre Adjustment

      -4.0 to +3.0m-₁

      Eye Point

      Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-₁ (CIPA standard)

      DISPLAY FUNCTION

      Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

      Finder Frame Rate Selection

      STD 60fps / HI 120fps / HI+ 240fps

      LCD Screen

      Monitor Type

      7.5cm (3.0-type) type TFT

      Number of Dots

      1,440,000 dots

      Touch Panel

      Yes

      Brightness Control

      Manual (5 steps between -2 and +2), Sunny Weather mode

      Adjustable Angle

      Up by Approx. 107 degrees, Down by Approx. 41 degrees

      Focus Magnifier

      Yes, Focus Magnifier (35mm full frame: 4.2x / 8.5x, APS-C: 2.7x / 5.5x)

      Other Features

      PlayMemories Camera Apps™

      -

      Clear Image Zoom

      Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

      Digital Zoom

      Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x,APS-C: M:approx. 4x, S: approx. 5.2x, Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

      Face Detection

      Face/Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

      Self-Portrait Self-timer

      -

      Others

      Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

      Shutter

      Type

      Electronically-controlled, vertical-traverse, focal-plane type

      Shutter Type

      Mechanical shutter/Electronic shutter

      Shutter Speed

      Still images, Single shot Mechanical Shutter:1/8000 to 30 sec, Bulb; AUTO: 1/32000 to 30 sec, Bulb; Electronic Shutter: 1/32000 to 30 sec; Still images, Continous shooting Mechanical; Shutter:1/8000 to 30 sec; AUTO: 1/32000 to 1/2 sec; Electronic Shutter: 1/32000 to 1/2 sec; Movies: 1/8000 to 1/4(1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

      Flash Sync. Speed

      (Mechanical shutter), (Flash Sync. Priority) is (ON) or (AUTO):1/400 sec (35mm full frame), 1/500 sec (APS-C), (Flash Sync. Priority) is (OFF):1/320 sec (35mm full frame), 1/400 sec (APS-C), (Electrical shutter), 1/200 sec (35mm full frame), 1/250 sec (APS-C)

      Electronic Front Curtain Shutter

      Yes

      Silent Shooting

      Yes (ON/OFF)

      Image Stabilization

      Type

      Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

      Compensation Effect

      5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

      Flash Control

      Type

      -

      Guide No.

      -

      Flash coverage

      -

      Control

      Pre-flash TTL

      Flash Compensation

      +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

      Flash Modes

      Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

      Recycling Time

      -

      External Flash Compatibility

      Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

      FE Level Lock

      Yes

      Wireless Control

      Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

      Drive

      Drive Modes

      Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

      Continuous Drive Speed (approx. max.)

      AUTO/Electronic Shutter: Continuous shooting: Hi+: 30 fps, Hi: 20 fps, Mid: 15fps, Lo: 5 fps, Mechanical Shutter: Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6fps, Lo: 3 fps

      No. of recordable frames (approx.)

      JPEG Extra fine L: 182 frames, JPEG Fine L: 400 frames, JPEG Standard L: 400 frames, RAW: 238 frames, RAW & JPG: 192 frames, RAW (Lossless Compression): 96 frames, RAW (Lossless Compression) & JPG: 83 frames, RAW (Uncompressed): 82 frames, RAW (Uncompressed) & JPG: 78 frames

      Self-Timer

      10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

      Pixel Shift Multi Shooting

      Yes (4 shots / 16 shots)

      Playback

      Photo Capture

      Yes

      Modes

      Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 21.6x, M: 14.0x, S: 10.8x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

      Interface

      PC Interface

      Mass-storage / MTP

      Multi / Micro USB Terminal

      Yes (SuperSpeed USB 10Gbps (USB 3.2) compatible)

      Bluetooth

      Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

      Wireless LAN (Built-In)

      Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band))

      Multi Interface Shoe

      Yes (with Digital Audio Interface)

      Mic Terminal

      Yes (3.5 mm Stereo minijack)

      Sync Terminal

      Yes

      Headphone Terminal

      Yes (3.5 mm Stereo minijack)

      Vertical Grip Connector

      Yes

      LAN Terminal

      Yes (1000BASE-T, 100BASE-TX, 10BASE-T)

      FUNCTIONS

      FTP Transfer Func.(Wired LAN, USB Tethering, Wi-Fi)., View on Smartphone,Remote control via Smartphone, NFC One-touch remote,PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD

      Audio

      Microphone

      Built-in, stereo

      Speaker

      Built-in, monaural

      Print

      Compatible Standards

      Exif Print, Print Image Matching III

      Custom function

      Type

      Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

      Lens Compensation

      Setting

      Peripheral Shading, Chromatic Aberration, Distortion

      Power

      Supplied Battery

      One rechargeable battery pack NP-FZ100

      Battery Life (Still Images)

      Approx. 430 shots (Viewfinder) / approx. 530 shots (LCD monitor) (CIPA standard)

      Battery Life (Movie, actual recording)

      Approx. 90 min. (Viewfinder) / Approx. 95 min. (LCD monitor) (CIPA standard)

      Battery Life (Movie, continuous recording)

      Approx. 145 min. (Viewfinder) / Approx. 150 min. (LCD monitor) (CIPA standard)

      Internal Battery Charge

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Power consumption with Viewfinder

      Still images: approx. 4.6W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 6.8W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Power consumption with LCD screen

      Still images: approx. 3.7W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 6.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      USB Power supply

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Others

      Operating Temperature

      32 - 104 degrees F / 0 - 40 degrees C

      Size & Weight

      Weight (with battery and memory card included)

      Approx. 737 g, approx. 1 lb 10.0 oz

      Dimensions (W x H x D)

      Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

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