New

FX30 compact Cinema Line gateway camera + XLR Handle Unit

Model:
RM 12,049.00
1

1. Prices indicated refer to Suggested Retail Price and may change from time to time without prior notice.

Gifts:
Peak Design 6L Everyday Sling worth RM649
SF-G64T SD Card
  • Features
    Memorable imagery from the Exmor R™ CMOS sensor

    Memorable imagery from the Exmor R™ CMOS sensor

    The FX30's back-illuminated Exmor R APS-C CMOS sensor is ready to deliver memorable imagery with outstanding resolution and a shallow depth of field. Sony's industry-leading image technology is packed into a new Super 35 format (20.1 megapixel) sensor with wide latitude. Capture the scene in 4K resolution with expressive depth of field, stunning bokeh, and cinematic freedom.

    S-Cinetone™ for a cinematic look without grading

    S-Cinetone™ for a cinematic look without grading

    The FX30 incorporates S-Cinetone, based on the colour science behind the highly regarded colour and skin tones of the FX9 and FX6. It delivers the natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading.

    Recording formats for image quality and  post-production

    Recording formats for image quality and  post-production

    The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, enabling fuller and more natural gradations and providing greater editing freedom. Recording in XAVC HS format roughly doubles compression efficiency, allowing detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, for even better image quality and manageable file sizes.

    Dual Base ISO for cleaner images in low light

    Dual Base ISO for cleaner images in low light

    The Dual Base ISO feature provides two Base ISO settings; one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximise the FX30’s dynamic range when shooting in both bright or low-light conditions. What's more, a wide 14+ stops of latitude minimises the risk of blown highlights or blocked shadows over a wide range of lighting conditions.

    Log recording for smooth cinematic colour grading

    Log recording for smooth cinematic colour grading

    For full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when colour grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality colour reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.

    New Log shooting modes for optimised image quality

    New Log shooting modes for optimised image quality

    Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick simplifies setup by automatically switching the camera's Base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709 has been added to the available LUT presets.

    See an accurate preview of the final image with user LUTs

    See an accurate preview of the final image with user LUTs

    When recording with the S-Log3 gamma curve, the low-contrast image on the monitor can make it difficult to judge what the final image will look like. For a more accurate preview, the FX30 allows customisable LUTs to be applied to the LCD monitor preview and HDMI output, and also embedded in clips to facilitate post-production processing. In addition to the preset LUTs, up to 16 user LUTs can be imported into the camera via memory card.

    Dependable, highly accurate autofocus

    Dependable, highly accurate autofocus

    Sophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF, with intelligent tracking, uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (for humans, birds and animals), while Real-time Tracking provides reliable tracking based on Sony's unique, AI-based subject recognition.

    Sophisticated focus functions to handle any situation

    Sophisticated focus functions to handle any situation

    The FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map makes it easy to visualise depth of field while shooting, and Breathing Compensation provides a stable angle of view when rack focusing by minimising the field-of-view shift that can occur with some lenses.

    Flexible motion with up to 4K / 120p recording

    Flexible motion with up to 4K / 120p recording

    The FX30 provides 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery with autofocus provides new expressive capability, opening a whole new world of creative potential.

    Active Mode image stabilisation supports handheld movie shooting

    Active Mode image stabilisation supports handheld movie shooting

    Active Mode is an optical in-body 5-axis image stabilisation mode that provides increased stabilisation for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, while walking, and at 4K resolution.

    Metadata to facilitate editing with Catalyst

    Metadata to facilitate editing with Catalyst

    Sony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilisation, breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.

    Proxy recording for efficient editing workflow

    Low-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.

    Still image shooting function

    Still image shooting function

    Because the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.

    Multi-thread body makes a cage unnecessary

    Multi-thread body makes a cage unnecessary

    Designed for mobility and efficiency, the body of the FX30 features five thread holes (1/4-20 UNC) for accessories, making a cage unnecessary. While providing ample capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting. The XLR handle unit provides three additional thread holes so that accessories and add-ons can be stably and securely attached.

    New Main menu for quick access to frequently used items

    New Main menu for quick access to frequently used items

    The camera’s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.

    Movie standby screen

    Movie standby screen

    The layout of the information and icon overlay that appears in standby mode has been optimised for movie recording so you can concentrate more fully on composition and framing. Only the most essential items are displayed in the black bands above and below the image area.

    Tally lamps

    Tally lamps

    Recording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode, a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.

    Flexible, high-resolution touch-panel LCD monitor

    Flexible, high-resolution touch-panel LCD monitor

    The FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.

    Vertical aspect markers

    Vertical aspect markers

    With the proliferation of smartphones and social media, creators are producing imagery with a variety of aspect ratios and orientations, with vertical orientation becoming more common. The FX30 offers a number of aspect markers that can be used to check framing while shooting in standard horizontal orientation. Aspect markers that are useful when shooting social media ads and vertical movies are included.

    XLR connectors for high-quality external audio input

    XLR connectors for high-quality external audio input

    The XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.

    Broad connectivity for a wide range of shooting needs

    Broad connectivity for a wide range of shooting needs

    An HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C® , Multi/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.

    16-bit RAW output via HDMI

    16-bit RAW output via HDMI

    For demanding post-production workflows, 16-bit RAW output is available over an HDMI connection to compatible external recorders. XAVC HS 4K, XAVC S 4K or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.

    Time code sync

    The FX30 can be synchronised (TC-IN) to a second camera that has a time code output terminal by connecting the FX30’s Multi/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.

    Two CFexpress Type A compatible media slots

    Two CFexpress Type A compatible media slots

    The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bitrates. Dual slots enable either relay or simultaneous recording.

    Learn more about CFexpess Type A

    Uninterrupted 4K 60p recording

    For uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised the camera’s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.

    Designed to resist dust and moisture

    Designed to resist dust and moisture

    Dust and moisture resistance refinements have been implemented everywhere in the FX30. Sealing is provided throughout the body as well as on the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow, from inlet to exhaust, is completely isolated from the interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

    Sturdy magnesium alloy body

    Sturdy magnesium alloy body

    The camera’s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

    Imaging Edge Mobile™

    Imaging Edge Mobile™

    Imaging Edge Mobile provides support for remote control from smartphones and tablets. It can also remotely control Touch Tracking and Touch Focus for convenient AF operation, and transfer captured still and movie files.

    Environmentally conscious without compromising performance

    The Sony Group continues to accelerate our "Road to Zero" environmental plan, aiming to achieve zero environmental footprint by 2040. Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle. These include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.

  • Specifications

    General

    CAMERA TYPE

    Interchangeable lens digital camera

    LENS MOUNT

    E-mount

    Size & Weight

    WEIGHT (MAIN UNIT ONLY) (approx.)

    646 g (1 lI10:L10b 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only)

    WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)

    951 g (2 lb 1.5 oz) (with XLR Handle, battery and memory card included)

    DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)

    129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)

    Power

    POWER CONSUMPTION

    [Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached), [Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)

    BATTERY OPERATING TIME

    Approx. 115 min (Actual recording, CIPA standard) , Approx. 175 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)

    Operation

    OPERATING TEMPERATURE

    0°C to 40°C, 32°F to 104°F

    STORAGE TEMPERATURE

    -20°C to +55°C, -4°F to +131°F

    Recording Format (Video)

    XAVC HS

    [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265

    XAVC S

    [XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,

    XAVC S-I

    [XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,

    Recording Format (Audio)

    RECORDING FORMAT (AUDIO)

    LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch

    Recording Frame Rate

    XAVC HS

    [XAVC HS 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 23.98p

    XAVC S

    [XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p

    XAVC S-I

    [XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p,

    Recording/Playback Time

    XAVC HS

    [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes

    XAVC S

    [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes

    XAVC S-I

    [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes

    PROXY AUDIO

    XAVC Proxy: AAC-LC, 128kbps, 2 channels

    PROXY VIDEO

    1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps)

    RAW Output

    RAW Output

    HDMI: 4672 x 2628 (59.94p/50p/29.97p/25p/23.98p), 16bit

    Other Video Function

    VIDEO FUNCTIONS

    Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector

    Camera Section

    SENSOR TYPE

    APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor

    PIXELS

    Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total)

    SENSITIVITY

    [Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)

    SHUTTER SPEED

    [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec

    Slow & Quick Motion

    XAVC HS

    XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

    XAVC S

    XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

    XAVC S-I

    XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[NF_39], XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

    White Balance

    WHITE-BALANCE MODES

    Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

    Gamma

    GAMMA CURVE

    Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    Latitude

    Latitude

    14+ stop (S-Log3)

    Focus System

    Type

    Fast Hybrid AF (phase-detection AF / contrast-detection AF)

    FOCUS POINT

    [Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF)

    SENSITIVITY RANGE

    EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)

    FOCUS MODE

    [Movie] AF-C (Continuous AF), MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

    FOCUS AREA

    [Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

    OTHER FOCUS FEATURES

    Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x)

    Exposure Control

    METERING SENSITIVITY

    EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

    EXPOSURE MODES

    [Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)

    Recording (Still image)

    RECORDING FORMAT

    JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

    IMAGE SIZE

    Image size [3:2] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M)、 M: 2912 x 2912 (8.5M)、 S: 2064 x 2064 (4.3M)

    Playback

    PLAYBACK FUNCTIONS

    Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)

    Interface

    TC INPUT/TC OUTPUT

    Multi/Micro USB, TC IN

    AUDIO INPUT

    3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)

    USB

    USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)

    HEADPHONE OUTPUT

    Yes (3.5 mm Stereo minijack)

    SPEAKER OUTPUT

    Built-in, monaural

    HDMI OUTPUT

    HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit

    MULTI INTERFACE SHOE

    With Digital Audio Interface

    Bluetooth

    Bluetooth Standard Ver. 5.0 (2.4GHz band))

    Media

    MEDIA TYPE

    CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

    Monitoring

    LCD

    7.5 cm (3.0-type), Approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

    Built-in Microphone

    BUILT-IN MICROPHONE

    Built-in, stereo

    File System

    FILE SYSTEM

    FAT12, 16, 32, exFAT

    Zoom

    ZOOM FUNCTION

    Zoom ring rotate, Clear Image Zoom([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x ), Digital zoom([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x), Smart zoom([Still image] M: Approx. 1.4x, S: Approx. 2x)

    Still image function

    SHUTTER

    Electronic shutter

    DRIVE MODES

    Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

    NOISE REDUCTION

    High ISO NR: Normal / Low / Off

    OTHER STILL IMAGE FUNCTION

    Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot

    Image Stabilization

    Type

    Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

    MODE

    [Movie] Active / Standard / Off, [Still image] On / Off

    COMPENSATION EFFECT (STILL IMAGES)

    5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)

    Custom Function

    CUSTOM FUNCTION

    Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

    Lens Compensation

    LENS COMPENSATION

    Peripheral Shading, Chromatic Aberration, Distortion

    Wi-Fi/NFC

    SUPPORTED FORMAT

    IEEE 802.11a/b/g/n/ac

    FREQUENCY BAND

    2.4 GHz band/5 GHz band

    SECURITY

    WEP/WPA-PSK/WPA2-PSK

    FTP Transfer

    FTP Transfer

    Wired LAN (USB-LAN), USB Tethering, Wi-Fi

    Supplied Accessories

    SUPPLIED ACCESSORIES

    Rechargeable Battery NP-FZ100, AC adapter, Power cord, XLR handle unit, Body cap, Accessory shoe cap, Handle shoe cap, USB-A to USB-C cable (USB 3.2)

  • Support
  • features
    • Features
      Memorable imagery from the Exmor R™ CMOS sensor

      Memorable imagery from the Exmor R™ CMOS sensor

      The FX30's back-illuminated Exmor R APS-C CMOS sensor is ready to deliver memorable imagery with outstanding resolution and a shallow depth of field. Sony's industry-leading image technology is packed into a new Super 35 format (20.1 megapixel) sensor with wide latitude. Capture the scene in 4K resolution with expressive depth of field, stunning bokeh, and cinematic freedom.

      S-Cinetone™ for a cinematic look without grading

      S-Cinetone™ for a cinematic look without grading

      The FX30 incorporates S-Cinetone, based on the colour science behind the highly regarded colour and skin tones of the FX9 and FX6. It delivers the natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading.

      Recording formats for image quality and  post-production

      Recording formats for image quality and  post-production

      The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, enabling fuller and more natural gradations and providing greater editing freedom. Recording in XAVC HS format roughly doubles compression efficiency, allowing detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, for even better image quality and manageable file sizes.

      Dual Base ISO for cleaner images in low light

      Dual Base ISO for cleaner images in low light

      The Dual Base ISO feature provides two Base ISO settings; one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximise the FX30’s dynamic range when shooting in both bright or low-light conditions. What's more, a wide 14+ stops of latitude minimises the risk of blown highlights or blocked shadows over a wide range of lighting conditions.

      Log recording for smooth cinematic colour grading

      Log recording for smooth cinematic colour grading

      For full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when colour grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality colour reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.

      New Log shooting modes for optimised image quality

      New Log shooting modes for optimised image quality

      Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick simplifies setup by automatically switching the camera's Base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709 has been added to the available LUT presets.

      See an accurate preview of the final image with user LUTs

      See an accurate preview of the final image with user LUTs

      When recording with the S-Log3 gamma curve, the low-contrast image on the monitor can make it difficult to judge what the final image will look like. For a more accurate preview, the FX30 allows customisable LUTs to be applied to the LCD monitor preview and HDMI output, and also embedded in clips to facilitate post-production processing. In addition to the preset LUTs, up to 16 user LUTs can be imported into the camera via memory card.

      Dependable, highly accurate autofocus

      Dependable, highly accurate autofocus

      Sophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF, with intelligent tracking, uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (for humans, birds and animals), while Real-time Tracking provides reliable tracking based on Sony's unique, AI-based subject recognition.

      Sophisticated focus functions to handle any situation

      Sophisticated focus functions to handle any situation

      The FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map makes it easy to visualise depth of field while shooting, and Breathing Compensation provides a stable angle of view when rack focusing by minimising the field-of-view shift that can occur with some lenses.

      Flexible motion with up to 4K / 120p recording

      Flexible motion with up to 4K / 120p recording

      The FX30 provides 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery with autofocus provides new expressive capability, opening a whole new world of creative potential.

      Active Mode image stabilisation supports handheld movie shooting

      Active Mode image stabilisation supports handheld movie shooting

      Active Mode is an optical in-body 5-axis image stabilisation mode that provides increased stabilisation for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, while walking, and at 4K resolution.

      Metadata to facilitate editing with Catalyst

      Metadata to facilitate editing with Catalyst

      Sony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilisation, breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.

      Proxy recording for efficient editing workflow

      Low-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.

      Still image shooting function

      Still image shooting function

      Because the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.

      Multi-thread body makes a cage unnecessary

      Multi-thread body makes a cage unnecessary

      Designed for mobility and efficiency, the body of the FX30 features five thread holes (1/4-20 UNC) for accessories, making a cage unnecessary. While providing ample capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting. The XLR handle unit provides three additional thread holes so that accessories and add-ons can be stably and securely attached.

      New Main menu for quick access to frequently used items

      New Main menu for quick access to frequently used items

      The camera’s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.

      Movie standby screen

      Movie standby screen

      The layout of the information and icon overlay that appears in standby mode has been optimised for movie recording so you can concentrate more fully on composition and framing. Only the most essential items are displayed in the black bands above and below the image area.

      Tally lamps

      Tally lamps

      Recording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode, a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.

      Flexible, high-resolution touch-panel LCD monitor

      Flexible, high-resolution touch-panel LCD monitor

      The FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.

      Vertical aspect markers

      Vertical aspect markers

      With the proliferation of smartphones and social media, creators are producing imagery with a variety of aspect ratios and orientations, with vertical orientation becoming more common. The FX30 offers a number of aspect markers that can be used to check framing while shooting in standard horizontal orientation. Aspect markers that are useful when shooting social media ads and vertical movies are included.

      XLR connectors for high-quality external audio input

      XLR connectors for high-quality external audio input

      The XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.

      Broad connectivity for a wide range of shooting needs

      Broad connectivity for a wide range of shooting needs

      An HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C® , Multi/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.

      16-bit RAW output via HDMI

      16-bit RAW output via HDMI

      For demanding post-production workflows, 16-bit RAW output is available over an HDMI connection to compatible external recorders. XAVC HS 4K, XAVC S 4K or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.

      Time code sync

      The FX30 can be synchronised (TC-IN) to a second camera that has a time code output terminal by connecting the FX30’s Multi/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.

      Two CFexpress Type A compatible media slots

      Two CFexpress Type A compatible media slots

      The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bitrates. Dual slots enable either relay or simultaneous recording.

      Learn more about CFexpess Type A

      Uninterrupted 4K 60p recording

      For uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised the camera’s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.

      Designed to resist dust and moisture

      Designed to resist dust and moisture

      Dust and moisture resistance refinements have been implemented everywhere in the FX30. Sealing is provided throughout the body as well as on the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow, from inlet to exhaust, is completely isolated from the interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

      Sturdy magnesium alloy body

      Sturdy magnesium alloy body

      The camera’s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

      Imaging Edge Mobile™

      Imaging Edge Mobile™

      Imaging Edge Mobile provides support for remote control from smartphones and tablets. It can also remotely control Touch Tracking and Touch Focus for convenient AF operation, and transfer captured still and movie files.

      Environmentally conscious without compromising performance

      The Sony Group continues to accelerate our "Road to Zero" environmental plan, aiming to achieve zero environmental footprint by 2040. Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle. These include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.

  • specifications
    • Specifications

      General

      CAMERA TYPE

      Interchangeable lens digital camera

      LENS MOUNT

      E-mount

      Size & Weight

      WEIGHT (MAIN UNIT ONLY) (approx.)

      646 g (1 lI10:L10b 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only)

      WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)

      951 g (2 lb 1.5 oz) (with XLR Handle, battery and memory card included)

      DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)

      129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)

      Power

      POWER CONSUMPTION

      [Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached), [Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)

      BATTERY OPERATING TIME

      Approx. 115 min (Actual recording, CIPA standard) , Approx. 175 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)

      Operation

      OPERATING TEMPERATURE

      0°C to 40°C, 32°F to 104°F

      STORAGE TEMPERATURE

      -20°C to +55°C, -4°F to +131°F

      Recording Format (Video)

      XAVC HS

      [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265

      XAVC S

      [XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,

      XAVC S-I

      [XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,

      Recording Format (Audio)

      RECORDING FORMAT (AUDIO)

      LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch

      Recording Frame Rate

      XAVC HS

      [XAVC HS 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 23.98p

      XAVC S

      [XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p

      XAVC S-I

      [XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p,

      Recording/Playback Time

      XAVC HS

      [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes

      XAVC S

      [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes

      XAVC S-I

      [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes

      PROXY AUDIO

      XAVC Proxy: AAC-LC, 128kbps, 2 channels

      PROXY VIDEO

      1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps)

      RAW Output

      RAW Output

      HDMI: 4672 x 2628 (59.94p/50p/29.97p/25p/23.98p), 16bit

      Other Video Function

      VIDEO FUNCTIONS

      Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector

      Camera Section

      SENSOR TYPE

      APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor

      PIXELS

      Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total)

      SENSITIVITY

      [Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)

      SHUTTER SPEED

      [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec

      Slow & Quick Motion

      XAVC HS

      XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

      XAVC S

      XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

      XAVC S-I

      XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[NF_39], XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

      White Balance

      WHITE-BALANCE MODES

      Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

      Gamma

      GAMMA CURVE

      Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      Latitude

      Latitude

      14+ stop (S-Log3)

      Focus System

      Type

      Fast Hybrid AF (phase-detection AF / contrast-detection AF)

      FOCUS POINT

      [Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF)

      SENSITIVITY RANGE

      EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)

      FOCUS MODE

      [Movie] AF-C (Continuous AF), MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

      FOCUS AREA

      [Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

      OTHER FOCUS FEATURES

      Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x)

      Exposure Control

      METERING SENSITIVITY

      EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

      EXPOSURE MODES

      [Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)

      Recording (Still image)

      RECORDING FORMAT

      JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

      IMAGE SIZE

      Image size [3:2] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M)、 M: 2912 x 2912 (8.5M)、 S: 2064 x 2064 (4.3M)

      Playback

      PLAYBACK FUNCTIONS

      Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)

      Interface

      TC INPUT/TC OUTPUT

      Multi/Micro USB, TC IN

      AUDIO INPUT

      3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)

      USB

      USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)

      HEADPHONE OUTPUT

      Yes (3.5 mm Stereo minijack)

      SPEAKER OUTPUT

      Built-in, monaural

      HDMI OUTPUT

      HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit

      MULTI INTERFACE SHOE

      With Digital Audio Interface

      Bluetooth

      Bluetooth Standard Ver. 5.0 (2.4GHz band))

      Media

      MEDIA TYPE

      CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

      Monitoring

      LCD

      7.5 cm (3.0-type), Approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

      Built-in Microphone

      BUILT-IN MICROPHONE

      Built-in, stereo

      File System

      FILE SYSTEM

      FAT12, 16, 32, exFAT

      Zoom

      ZOOM FUNCTION

      Zoom ring rotate, Clear Image Zoom([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x ), Digital zoom([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x), Smart zoom([Still image] M: Approx. 1.4x, S: Approx. 2x)

      Still image function

      SHUTTER

      Electronic shutter

      DRIVE MODES

      Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

      NOISE REDUCTION

      High ISO NR: Normal / Low / Off

      OTHER STILL IMAGE FUNCTION

      Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot

      Image Stabilization

      Type

      Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

      MODE

      [Movie] Active / Standard / Off, [Still image] On / Off

      COMPENSATION EFFECT (STILL IMAGES)

      5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)

      Custom Function

      CUSTOM FUNCTION

      Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

      Lens Compensation

      LENS COMPENSATION

      Peripheral Shading, Chromatic Aberration, Distortion

      Wi-Fi/NFC

      SUPPORTED FORMAT

      IEEE 802.11a/b/g/n/ac

      FREQUENCY BAND

      2.4 GHz band/5 GHz band

      SECURITY

      WEP/WPA-PSK/WPA2-PSK

      FTP Transfer

      FTP Transfer

      Wired LAN (USB-LAN), USB Tethering, Wi-Fi

      Supplied Accessories

      SUPPLIED ACCESSORIES

      Rechargeable Battery NP-FZ100, AC adapter, Power cord, XLR handle unit, Body cap, Accessory shoe cap, Handle shoe cap, USB-A to USB-C cable (USB 3.2)

  • Support